| Section 1: | D.W. Griffith and the Beginning of Hollywood; Sergei Eisenstein and the Use of Montage; German Expressionist Cinema and Mise en Scene |
| Section 2: | The Studio System and the Coming of the "Talkies"; His Girl Friday and Screwball Comedy; Dialogue and Performance in His Girl Friday |
| Section 3: | Social Justice and Hollywood Cinema; DocumentaryRealism and Cinematography; Lighting and The Grapes of Wrath |
| Section 4: | Citizen Kane, Narrative, and the American Dream; Cinematography and Deep Focus; Sound and Music in Citizen Kane |
** This is a Print-on-Demand product; it is non-returnable.